The pianoteq update actually at its core now has a beautiful sound that sounds like a Steinway, which means that in post-production, modifying it to your taste actually allows you to reach your desired result. The nature of the piano and expression often still shines through: To me, a recording of a good piano still sounds good through all sorts of different layers of crap, like older recording hardware, crappy headphones, etc. Well, if the source of a complex sound like a piano doesn't sound good in the first place, there's very little you can do to actually save it with plugins. Were the listener is sat in the room, whether the listener is sitting in positions of strong peaks or nulls, the furnishings of the room, size and shape of the room, the list goes on.Īdd to that the differences in available listening time between users, amount of headphone or earbud use, the age of the listener, the pre-existing hearing damage of the listener, the preferred listening volume of the listener. Their sound production may not be the best, but at least it is uniform (mostly) across their produced units.Īssuming a basic decent standard (not computer speakers or dirt cheap Amazon's cheapest powered speakers say) different listening rooms make a bigger difference than differences between good hardware.Īlso how the speakers are set up relative to the position of the listener makes a huge difference. When Casio, Roland, or Yamaha builds an electronic piano, they control everything from soup to nuts. I think that you guys have discovered an unfortunate truth for all VSTs, both sampled and modeled - we all have different hardware that we use for amplification and sound reproduction - different amps and different speaker sizes and brands and locations will emphasize and de-emphasize different frequencies (both of the notes and their harmonics).
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